{"id":47510,"date":"2021-10-05T06:49:01","date_gmt":"2021-10-05T04:49:01","guid":{"rendered":"https:\/\/www.ddetox.art\/?page_id=47510"},"modified":"2026-05-04T23:42:49","modified_gmt":"2026-05-04T21:42:49","slug":"ueber-mich","status":"publish","type":"page","link":"https:\/\/www.ddetox.art\/en\/ueber-mich\/","title":{"rendered":"\u00dcber mich"},"content":{"rendered":"

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Dima Dobrovolskij<\/h1>\n

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1983 in Lettland geboren | ab 1997 in Berlin lebend<\/H3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ use_custom_gutter=”on” specialty=”on” custom_padding_last_edited=”on|tablet” padding_top_1=”0px” padding_top_2=”0px” padding_bottom_1=”0px” padding_bottom_2=”0px” padding_top_bottom_link_1=”true” padding_top_bottom_link_2=”true” padding_left_right_link_1=”false” padding_left_right_link_2=”false” admin_label=”Section” module_class=”artist_statement” _builder_version=”4.16″ _module_preset=”default” background_color=”RGBA(0,0,0,0)” custom_padding=”140px||140px||true|false” custom_padding_tablet=”80px||80px||true|false” custom_padding_phone=”50px||50px||true|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.ddetox.art\/wp-content\/uploads\/2021\/10\/Rectangle-3-min.jpg” title_text=”ddetox-eye” _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”|-200px|||false|false” custom_margin_tablet=”|0px|||false|false” custom_margin_phone=”||0px||false|false” custom_margin_last_edited=”on|tablet” custom_css_main_element=”left: -13vw;||position: relative;” border_radii=”on|4px|4px|4px|4px” global_colors_info=”{}” custom_css_main_element_last_edited=”on|tablet” custom_css_main_element_tablet=”left: 0;” custom_css_main_element_phone=”left: 0;”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner module_class=”text-left” _builder_version=”4.27.0″ _module_preset=”default” max_width=”800px” max_width_tablet=”800px” max_width_phone=”800px” max_width_last_edited=”on|desktop” custom_margin=”||||false|false” custom_margin_tablet=”|||0px|false|false” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”rgba(255,255,255,0.8)” header_text_color=”rgba(255,255,255,0.8)” header_3_font=”|300||on|||||” header_3_text_color=”rgba(255,255,255,0.8)” header_3_font_size=”24px” header_3_letter_spacing=”1px” header_3_line_height=”1.4em” custom_margin=”||30px||false|false” custom_margin_tablet=”||0px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” header_3_font_size_tablet=”22px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”]<\/p>\n

Vita<\/h3>\n

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Dima Dobrovolskij ist ein K\u00fcnstler aus Berlin, dessen Arbeit aus Br\u00fcchen, Perspektivwechseln und dem Drang nach Freiheit im Ausdruck entsteht. Gepr\u00e4gt von Migration, verschiedenen Sprachen und kulturellen Wirklichkeiten entwickelte sich fr\u00fch ein Blick f\u00fcr Mehrdeutigkeit, Reibung und das, was zwischen Menschen unausgesprochen bleibt. Aus einem Leben zwischen Sprachen, Br\u00fcchen und fragmentierten Zugeh\u00f6rigkeiten wurde die Collage nicht nur Medium, sondern Methode: ein Versuch, das Zersplitterte neu zu lesen und anders zusammenzusetzen. Collage ist hier nicht nur Technik, sondern Denkform \u2014 ein Arbeiten mit Fragmenten, aus denen neue Wirklichkeiten entstehen.<\/p>\n

Bevor die bildende Kunst in den Vordergrund trat, war Sprache das erste k\u00fcnstlerische Medium. Rap, Lyrik und kollektive Musikarbeit bildeten \u00fcber Jahre einen wichtigen Ausdrucksraum. Insgesamt entstanden sieben Alben mit mehr als 200 Songs. Rhythmus, Direktheit und poetische Verdichtung wirken bis heute in die visuelle Praxis hinein. Seine Hip-Hop-Jahre fanden Eingang in die Literatur: In Merle Hilbks Chaussee der Enthusiasten<\/i><\/a> ist dieser Lebensphase ein Kapitel gewidmet. Ebenso pr\u00e4gend war die Berliner Hip-Hop- und Veranstaltungskultur, in der \u00fcber viele Jahre Festivals und kulturelle Formate organisiert wurden.<\/p>\n

Erg\u00e4nzt wurde diese Praxis durch die Mitwirkung an mehreren medialen Produktionen und gesellschaftlich orientierten Projekten, darunter Kooperationen mit Salome von Berlin. Die entstandenen Formate fanden gro\u00dfe Resonanz und sch\u00e4rften den Blick f\u00fcr visuelle Kommunikation, kulturelle Vermittlung und die Wirkung von Bildern im \u00f6ffentlichen Raum.<\/p>\n

Dima Dobrovolskij bewegt sich bewusst zwischen Widerspr\u00fcchen: Analyse und Intuition, Z\u00e4rtlichkeit und H\u00e4rte, politische Wachheit und poetische Offenheit. Seine Arbeiten suchen nicht das Glatte oder rein Dekorative, sondern Spannung, Haltung und innere Wahrhaftigkeit. Berlin war daf\u00fcr lange ein wichtiger Reibungsraum. Doch Bewegung bleibt Teil dieses Weges. So entsteht eine Praxis, die provozieren, verbinden, analysieren und transformieren will \u2014 ohne sich in eindeutigen Zuschreibungen festzusetzen.<\/p>\n

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Aktuell in Arbeit<\/h3>\n

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Derzeit entstehen mehrere Werkserien und konzeptuelle Projekte an der Schnittstelle von Collage, Recherche und gesellschaftlicher Beobachtung. Im Zentrum stehen Fragen nach Wahrnehmung, Verantwortung, Gewalt, patriarchalen Strukturen und dem Verh\u00e4ltnis zwischen innerer und \u00e4u\u00dferer Wirklichkeit.<\/p>\n

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Aufbruch 2028 \u2014 12 L\u00e4nder, 12 Residenzen<\/h3>\n

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F\u00fcr das Jahr 2028 bereite ich eine einj\u00e4hrige k\u00fcnstlerische Weltreise vor, die mich durch verschiedene L\u00e4nder, Kontexte und Residenzprogramme f\u00fchren soll. Die Reise ist als fortlaufende Recherche- und Arbeitsbewegung gedacht: als Begegnung mit neuen Perspektiven, Materialien, Techniken und gesellschaftlichen Realit\u00e4ten. Im Zentrum stehen k\u00fcnstlerische Produktion, Austausch mit lokalen Szenen und die Frage, wie sich Wahrnehmung durch Ortswechsel, Reibung und direkte Erfahrung verschiebt. Die geplanten Stationen sollen nicht nur neue Arbeiten erm\u00f6glichen, sondern auch langfristige Verbindungen, Dokumentationen und Impulse f\u00fcr kommende Werkserien schaffen.<\/p>\n

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365 Tages Kalender<\/h3>\n

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Ein fortlaufendes Kalenderprojekt mit t\u00e4glichen Bild- und Textimpulsen, das zur Auseinandersetzung mit der eigenen Lebenslage und den Spannungen der Gegenwart einl\u00e4dt.<\/p>\n

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Aggressor<\/h3>\n

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Deconstruct Patriarchy<\/h3>\n

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Ein interdisziplin\u00e4res Projekt zur Dekonstruktion patriarchaler Strukturen durch visuelle, digitale und auditive Arbeiten. Geplant ist eine wachsende Plattform f\u00fcr neue Narrative, Perspektivwechsel und generations\u00fcbergreifenden Austausch.<\/p>\n

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Exhibitions<\/h3>\n

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Exhibitions<\/h3>\n